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In january 2017, I gave a 4 days workshop at HEAR, Mulhouse, France,
This is the result.
WORKSHOP, COMPOSITION / ANTI-COMPOSITION
Sound recordings, experimental music and radical listening out of context
Capturing the sound space, making the inaudible audible and composing with the everyday, here are the challenges of this workshop led by Francisco Meirino. A story, if not an atmosphere. Feedback, if not electromagnetic capture. Forgot the effects, the sound is raw and pulled out of its context to arrive at a collective composition of 20 minutes. The various captures between hard disks, tools, magnetic sounds and voices have made it possible to create a common assembly between structure, chaos and musicality.
With the sounds and ideas of Elise Demange, Mireille Reiners, Silviane Den Goer of Herve, Raphaëlle Doineau, Medhi Hivert, Fanny Bresson, Louise Fauroux, Adrien Marie-Hardy, Ugo Sebastiao, Agathe Siffert, Elsa Broustet, Dharana Giannetti, Augustin Soulard, Victor Donati, Emma Kerssenbrock, Philippe Paulin.
Francisco Meirino's music explores the tension between programmable material and the potential for its
failure.
His work combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision.
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose. Bandcamp New & Notable Oct 30, 2022
Less a solo act than a one-man megalith, Khôra builds impressive experimental soundscapes from modular synths, flutes, harps, and more. Bandcamp New & Notable Feb 19, 2020
supported by 4 fans who also own “Workshop at HEAR, Mulhouse 2017”
Listening to this a few years on, Chapter 319 feels almost melancholic, a reminder of the time where police abolition had nearly mainstream appeal. The tracks still make me furious at the bullshit cops continue to get away with. dninemfive